It was a magical night — full of strength, dignity, and the clarity that only silence can give.
A place where time moves slowly
The elder looked at me with quiet surprise when he saw my fascination with the weapon. We were in an ancient clay-built town, about two hours from Riyadh — a place where time moves slowly, and the air carries the echo of forgotten stories. I was wandering through a small local market when my eyes suddenly caught it… Standing there as if it had stepped straight out of an old legend.
bought it without hesitation. I wrapped it carefully, almost ceremonially, and brought it home as if carrying something sacred.
Rina Vero
artist
When I finally unwrapped it, I could feel its age before I even touched it. The leather of the sheath had cracked, exhausted by the passing years and the harsh desert wind.
Rina Vero
artist
The metal had darkened, as though trying to forget the history it once witnessed. But the wooden handle — the hilt — remained strong, firm, almost alive, as if it still remembered the strength of the hand that once held it.
The weapon is called a janbiya — a traditional curved Arabian dagger with centuries of meaning behind its shape.
For a long time I hesitated to transfer it onto canvas. I needed to listen to it first… To hear its memories, its silence, its pride. I wanted to return it to the past — to the moment when its metal still shone brilliantly, and the leather of its sheath glowed with life.
I painted this piece on a farm beneath the Tuwaiq mountains — the only place where such a subject feels truly at home. As always, my stallions were nearby, their calm presence grounding me. A fire burned beside us, throwing sparks into the desert night.
It was a magical night — full of strength, dignity, and the clarity that only silence can give. And in that moment I knew: Its owner must have been a man of the same qualities. A man who did not attack — but protected.