Light and Dark

My thoughts 17/03/26

Between worlds

I can’t seem to find my place in this world. Perhaps that is one of the reasons I became an artist.

Sometimes I don’t know who I am, what I love, or what I’m capable of. It wasn’t always like this… something happened, and somewhere along the way, I lost myself.

Now, only beside my horses and through my art, I try to find the answers again. Sometimes I feel that horses know me better than I know myself. My Leonardo looks at me as if he understands everything—my thoughts, my soul, my heart—and he feels it with me. Maybe he even feels a quiet sorrow for me.

But one thing I know for certain: horses guide me back to the present moment. And art gives me the freedom to live many different lives within one.

Perceptual Cause and Effect

Lighting creates the 2D pattern of contrast the brain interprets to recognize 3D objects in photographs. In an in-person viewing experience, the brain relies on stereoscopic vision, parallax, shifting focal in addition to the clues created by the highlight and shadow patterns the light on the object creates. When viewing a photo, the brain tries to match the patterns of contrast and color it has seen to those other sensory memories.

«The baseline for what seems "normal" in lighting is the direction and character of natural and artificial sources and the context provided by other clues»

Steve Jobs

Apple CEO

The Natural Light Baseline

To differentiate that role from that of "key" modeling when a modeling source moves behind the object, it is typically called a "rim" or "accent" light. In portrait lighting, it is also called a "hair" light because it is used to create the appearance of physical separation between the subject's head and background.

When a photographer puts the sun behind an object, its role in the lighting strategy changes from modeling the front of the object to one of defining its outline and creating the impression of physical separation and 3D space a frontally illuminated scene lacks.

Steve Jobs

Apple CEO

1818 Magazine by Stephanie Toole

To differentiate that role from that of "key" modeling when a modeling source moves behind the object, it is typically called a "rim" or "accent" light. In portrait lighting, it also called a "hair" light because it is used to create the appearance of physical separation between the subject's head and background.

Creating Natural Looking Artificial Lighting

A typical studio lighting configuration will consist of a fill source to control shadow tone, a single frontal key light to create the highlight modeling clues on the front of the object facing the camera over the shadows the fill illuminates, one or more rim/accent lights to create separation between foreground and background, and one or more background lights to control the tone of the background and separation between it and the foreground.

There are two significant differences between natural lighting and artificial sources. One is the character of the fill and the other is a more rapid fall-off in intensity. In nature, skylight fill is omni-directional and usually brighter from above. That "wrap around" characteristic is difficult to duplicate with a directional artificial source.